AI Director Agent · Early access

Paste the brief.
Approve the cut.

The VisionX Director Agent is a crew — screenwriter, casting director, plan critic, clip critic, sequence judge — that turns a written brief into a cast, priced shot plan and renders it only after you approve the exact spend. It does the setup a producer spends the first two days on and the QC a post team does after; you keep the taste, the direction, and the final say on every shot.

CREW OF AGENTS · PRICE-EXACT APPROVAL GATEEARLY ACCESS · STUDIO SCALE AND UP
Under the hood

Every stage, fully inspectable

The Director is not a black box that returns a video. The crew walks the same pipeline a production team walks, stage by stage — and it cannot spend a single VX until you approve the exact total at the gate.

01Parse the briefThe screenwriter reads the written brief and extracts the title, beats, and money shots.
02Develop the conceptThe strategist writes the big idea — treatment, tone, key visual, tagline directions — so every later stage anchors to one concept.
03Board the moodTwelve mood-frame directions are written up front, so the look of the board is decided before any spend.
04Lock the CastThe casting director matches names to your Cast library — identity is bound (and priced) per shot, never duplicated.
05Lock the elementsProducts and props named in the brief are matched to your library; unmatched ones get shell entries awaiting your approval.
06Plan and critiqueA shot list with a wallet-true VX price per shot — reviewed by an AI plan critic before you ever see it.
07Route the enginesAssigns each shot to the tier that fits its job: coverage on cheaper tiers, hero shots on Cinema.
08Write the boardsBeats become concrete visual directions, and the plan re-prices — the gate shows the final number.
09The approval gateYou approve the exact VX total; a mismatched approval is refused. Not one credit is spent before this.
10Shoot, judge, cutTakes render and are scored shot by shot; a sequence judge checks cross-shot consistency; a proposed cut lands in your timeline.
The handoff

The agent proposes. You direct.

An agent run ends in a real project, not a rendered file: the graph, the board, the shot statuses, and the consistency report, all waiting for a director.

  • Every shot lands in the approval flow. Nothing the agent makes is client-visible until a human approves it.
  • Reroute any shot to a different engine, rewrite its note, or regenerate it by hand. It is a normal project.
  • An AI clip critic scores every take and a sequence judge reviews takes jointly across shots — a misspelled label or a prop that changes between shots is flagged, not discovered.
Where agent projects land
AGENT RUN · FESTIVE LAUNCH 20SILLUSTRATIVE
brief.txt ─▶ director crew

  cast:      Kavya (locked · priced)
  shots:     6 planned
  routing:   hero ▶ cinema
             coverage ▶ standard
  plan:      48.7 VX — at the gate
  approved:  48.7 VX (echo verified)
  takes:     5 pass · 1 flagged
  sequence:  pass
  cut:       proposed ▶ /hub/festive-launch
Built for agencies

Routed for cost. Signed off by the client.

Engine count is table stakes now — everyone has the roster. What agencies actually need is what the Director is built for: each shot routed to the cheapest engine that still holds your Cast, a wallet-exact price you approve before it spends, and a cut your client signs off on.

  • Cost-optimized routing, not a spec race: the agent picks the cheapest engine that still holds your brand-locked Cast, so you pay for the shot, not for a name on the model.
  • A wallet-exact number at the gate: the quote is the real per-shot VX, not an estimate you find out about after. Echo it to approve, and a mismatch is refused.
  • One Cast across the whole campaign: identity holds across every engine the router picks and across every project, org-level, not just inside one file.
  • Client sign-off, built in: the finished cut lands in the Production Hub, where org approvals and a read-only share link take it to the client and leave an audit trail.
How client sign-off works
CLIENT REVIEW · FESTIVE LAUNCH 30SILLUSTRATIVE
Cost approved48.7 VX · wallet-exact
Routingcheapest that holds Cast
Castone identity, every shot
Sharedread-only review link
Statusawaiting client sign-off

Cheapest engine that holds your brand · approved before spend.

FAQ

The Director Agent, answered

What does the Director Agent actually do?
You paste a written brief. A crew of agents — screenwriter, casting director, plan critic — turns it into a cast, engine-routed shot plan with an exact VX price. Nothing renders until you approve that number at the gate. Then the shots render, an AI clip critic scores every take, a sequence judge checks cross-shot consistency, and a proposed cut lands in a real Production Hub project you can edit.
Does the agent replace the director?
No. It replaces the setup and the QC grind around direction. The crew proposes the plan and flags the problems; you approve the spend, judge the flagged takes, and own the final cut. Every shot it generates lands in the same review flow as hand-built work.
What does a Director run cost?
The generations it runs are metered in VX exactly like shots you build by hand, on the same wallet and the same per-shot pricing — and the plan quotes the exact total before anything renders. Approving means echoing that number back; a mismatch is refused. There is no separate agent fee.
Which plans include the agent?
The Director Agent is in early access on Studio Scale, Enterprise, and BYOK plans, the same tier band as the Production Hub it materializes projects into.
How mature is it?
Early access, honestly labeled. The crew pipeline runs end to end — plan, gate, shoot, judged takes, proposed cut — and we are still tightening the orchestration quality. Treat the output as a strong first pass to direct against, not a finished campaign.

Two days of setup, one paste.

Start free with 20 VX and see the pipeline the crew runs on. Early access unlocks on Studio Scale.