LTX-2.5 on VisionX.
Lightricks video up to 4K at 50 fps, 20-second takes, and shots cut to an audio track.
What LTX-2.5 is on the roster
LTX-2.5 is the Lightricks route on the roster, in two grades. LTX-2.5 Fast reaches 4K and 50 frames a second and runs up to 20 seconds at 720p and 1080p; LTX-2.5 Pro is the higher-fidelity grade at 720p and 1080p. Both render sound with the picture, and it can be switched off per shot.
A shot can start from text, open on a frame you supply, travel between a first and a last frame, or follow an audio track you attach, with the picture timed to the sound. Built-in camera moves and a choice of frame rate sit beside the usual controls, and every shot is quoted in VX before it runs.
4K at up to 50 fps
LTX-2.5 Fast renders 720p, 1080p, 2K and 4K at 24, 25, 48 or 50 frames a second. 2K, 4K and the high frame rates run up to ten seconds.
Twenty-second takes
At 720p and 1080p and 24 or 25 fps, a Fast shot runs up to 20 seconds in one continuous take. Or set the length to Auto on a text or first-frame shot and the model times the take itself: quoted at the longest length the shot allows, refunded down to what it delivers.
Cut to your audio
Attach a voice-over, a music bed or a sound design track, with or without a first frame, and the shot is generated to it, for the length of the track.
Frames and camera moves
Open on a frame, or travel between a first and a last frame. Pick a preset move (dolly, jib, static or a focus shift) when the board calls for one.
What LTX-2.5 actually does
Two grades of one Lightricks model: Fast for resolution, frame rate and length, Pro for fidelity.
Up to 4K at 50 fps
LTX-2.5 Fast renders 720p, 1080p, 2K and 4K, at 24, 25, 48 or 50 frames a second. 2K, 4K and the 48 and 50 fps rates run up to ten seconds.
Fast · resolutionTwenty-second takes
At 720p or 1080p and 24 or 25 fps, a Fast shot runs 6 to 20 seconds in two-second steps, as one continuous take.
Fast · lengthA shot cut to your audio
Attach a voice-over, a music bed or a sound design track of two to twenty seconds (ten on Pro), on its own or with a first frame, and the picture is generated to it, for the length of the track.
Audio-drivenFirst frame, or first and last
Open on a still you supply, or give a first and a last frame and let the shot travel between them.
FramesPreset camera moves
Dolly in, out, left or right, jib up or down, a locked-off static frame or a focus shift, picked as a setting rather than hoped for in the prompt.
CameraPro for the keeper
LTX-2.5 Pro is the higher-fidelity grade at 720p and 1080p, 6 to 10 seconds, at 24, 25 or 50 fps. Native audio renders on both grades and can be switched off.
ProEvery variant, exactly as the studio runs it
These rows are read live from the engine registry and the pricing engine. What you see here is what the composer quotes.
Self-serve rates run as low as $0.085 per VX at scale. The composer quotes the exact VX for your shot, references included, before you run it.
How to write for LTX-2.5
LTX-2.5 reads a prompt as a shot log: what happens, in the order it happens. There is no negative prompt, so say what you want to see.
A matte black espresso machine on a walnut counter pulls a shot; crema rises in a clear glass as steam curls up through low morning light from the left. The camera eases in toward the glass. Soft hiss of steam and the drip of coffee, a quiet kitchen behind.
Write it in order
Open on the main action, then movement and gesture, the look of people and objects, the setting, the camera and the light, in the order the shot unfolds.
Let the camera setting lead
When a preset camera move is picked, describe the same move or none at all; a prompt that asks for a different move fights the setting.
Phrase exclusions positively
There is no Avoid field on LTX-2.5, so “a clean, empty wall” works where “no posters” does not.
Match frame rate to the delivery
Pick 24 or 25 fps for a film or broadcast timeline and 48 or 50 fps for smooth motion, remembering that the high rates cap the shot at ten seconds.
What teams route to LTX-2.5
The board lines that go to LTX-2.5 first.
Picture cut to a finished track
A voice-over or a music sting is locked, and the shot has to land on it.
Smooth, high frame rate motion
Sport, product spins and slow motion that want 48 or 50 frames a second.
A 4K master of a short beat
Title shots, hero products and plates delivered at 4K straight from the render.
Longer establishing takes
A twenty-second 1080p move through a location, unbroken.
Same Cast, same wallet, different look
Route a board line to LTX-2.5, then run the identical shot on another family and compare takes. Identity lives in your Cast, not in any one model, so switching engines never strands the campaign.