Sora 2 on VisionX.
OpenAI video on your Cast, in standard and Pro production grades.
What Sora 2 is on the roster
Sora 2 joins the roster as a guest engine in two grades: Sora 2 for fast turnarounds at 720p, and Sora 2 Pro for production work up to 1080p.
Both run text-to-video and image-to-video from the same composer as every other engine, bill the same VX wallet, and see the same Cast. When a board calls for the Sora look, you route the shot to it. Nothing else changes.
A distinct look worth routing to
Sora reads physical staging and camera language its own way. Some boards want exactly that.
Two grades, one wallet
Draft on Sora 2, finish on Sora 2 Pro. The composer quotes the exact VX difference before you run.
No separate OpenAI account
Access, billing, and rate limits are handled by VisionX. Your producers see one invoice.
What Sora 2 actually does
What routing a board line to OpenAI actually buys you.
A distinct read on staging
Sora interprets physical staging and camera language its own way. Some boards want exactly that, and the only way to know is to run the same line on two engines.
LookTwo grades, one wallet
Draft on Sora 2, finish on Sora 2 Pro. The composer quotes the exact VX difference before either run.
Draft to masterSound with the picture
Audio is generated in the same pass, so a draft plays as a draft rather than as silent footage waiting on a pass.
Native audioNo separate OpenAI account
Access, billing and rate limits are handled by VisionX. Your producers see one invoice and one queue.
ProcurementEvery variant, exactly as the studio runs it
These rows are read live from the engine registry and the pricing engine. What you see here is what the composer quotes.
Self-serve rates run as low as $0.085 per VX at scale. The composer quotes the exact VX for your shot, references included, before you run it.
What teams route to Sora 2
Where Sora tends to win the pick.
Concept and pitch films
Boards that need a distinctive read before a client has committed to a direction.
Physical staging
Shots where the relationship between bodies, props and camera is the point.
Same-line comparisons
Run the identical board line on Sora and on Cinema, then let the edit decide.
Same Cast, same wallet, different look
Route a board line to Sora 2, then run the identical shot on another family and compare takes. Identity lives in your Cast, not in any one model, so switching engines never strands the campaign.